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The mentioned could have assisted with recording the music, but may have not produced, composed or written the song.

They earn royalties when the song is played in public e.g.

The game was significantly expanded in 1976 by Don Woods.

Also called Adventure, it contained many D&D features and references, including a computer controlled dungeon master.

is a multiplayer real-time virtual world, usually text-based.

MUDs combine elements of role-playing games, hack and slash, player versus player, interactive fiction, and online chat.

Players can read or view descriptions of rooms, objects, other players, non-player characters, and actions performed in the virtual world.

He named the game MUD (Multi-User Dungeon), in tribute to the Dungeon variant of Zork, which Trubshaw had greatly enjoyed playing.

When music is copied to computer hard drives, videos, tapes, CD’S, DVD’s, MP3s or as cell-phone ringtones, Mechanical Rights royalties are given to music publishers, song writers, producers, lyricists or composers.

These rights ensure creators get their money when their music is bought e.g.

when music is legally downloaded from the internet or when a song is bought as a cell-phone ringtone from network providers.

NEEDLE-TIME RIGHTS These rights protect recording artists; singers, backing vocalists and studio producers.